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Materials for Audio Parts: What Each Alloy Does to the Finish

On a hi-fi part the alloy decides the anodize colour, the polish, how the edges hold and what the part costs to cut. This page lists the materials shops quote for audio parts, with the designations to write on the drawing.

Material table

Typical ranges, not promises. The shop that quotes you confirms what it can hold on your geometry and your finish. Equivalent designations are close, not identical, and on a cosmetic part the difference often shows.

MaterialDesignationsTypical audio partsFinish behaviourTypical tolerance
Aluminum 6061-T6UNS A96061, EN AW-6061, JIS A6061Faceplates, knobs, platters, chassis platesClean Type II anodize, slightly greyer than 6063±0.05 mm typical, ±0.02 mm on fits
Aluminum 6082-T6EN AW-6082 (no common UNS)European plate and bar stock, same parts as 6061Anodizes close to 6061, not identicalAs 6061
Aluminum 6063-T5/T6UNS A96063, EN AW-6063Extruded chassis sides, heatsinks, trim profilesBrightest, clearest anodize of the common alloys±0.1 mm on extruded sections
Aluminum 5052-H32UNS A95052, EN AW-5052, JIS A5052Folded covers, back panels, base platesAnodizes to a different tone from 6000 series±0.2 mm on formed features
Aluminum 7075-T6UNS A97075, EN AW-7075Tonearm parts, headshells, high stress small partsAnodizes with a yellow or brown cast, poor for colour match±0.02 to ±0.05 mm typical
Brass C360UNS C36000, EN CW603N, JIS C3604Knobs, feet, terminals, trim rings, counterweightsPolishes and plates well, tarnishes bare±0.05 mm typical
Copper C110 / C145UNS C11000 / C14500, EN CW004ATrim, busbars, heat spreaders, platter inlaysLacquer or plating needed, C145 machines far better±0.05 mm typical
Stainless 303 / 304 / 316UNS S30300 / S30400 / S31600, EN 1.4305 / 1.4301 / 1.4401Spikes, feet, shafts, fasteners, wear facesBrushed, bead blasted or polished, then passivated±0.05 mm typical
Titanium Grade 5UNS R56400, Ti-6Al-4V, EN 3.7165Headphone yokes, tonearm parts, premium knobsBead blast, polish, colour anodize, PVD±0.05 mm typical, slower and costlier to cut
Cold rolled steelEN DC01, JIS SPCC, ASTM A1008Covers, transformer shrouds, internal bracketsPowder coat, zinc plating±0.2 mm on formed features
POM-C acetalPolyoxymethylene copolymerPlatters, mats, bushings, insulators, knob insertsMachined finish only, does not paint or bond well±0.1 mm, moves with temperature
Acrylic and polycarbonatePMMA, PCDisplay windows, dust covers, light pipes, plattersFlame or vapour polished edges, scratch-prone±0.1 mm, moves with temperature

Background on the designation system: aluminium alloy. Short definitions of 6061-T6, 6063-T5, C360 brass and temper are in the glossary.

Choosing by what the part has to do

Most audio parts are chosen for one dominant property. Start there, then check the finish.

  • Look and colour match6061 or 6063 aluminum, one alloy per assembly where possible. Avoid 7075 and 2000 series on anything that must match. Alloys for anodized audio parts
  • Mass and inertiaBrass (about 8.5 g/cm³) and stainless (about 8.0 g/cm³) add mass to platters, feet and counterweights. Aluminum is about 2.7 g/cm³, POM about 1.4 g/cm³.
  • Stiffness to weightAluminum, titanium and carbon fibre tube for tonearms and headphone yokes, where low mass and high stiffness both matter. Tonearm tube materials
  • HeatCopper conducts about twice as well as 6063, which conducts better than 6061. Extruded 6063 is the default heatsink, copper is used where heat is concentrated. Copper heatsinks and busbars
  • Wear and hardnessStainless for spikes, cones and shafts. Hard anodize on aluminum for bearing faces that do not need to match a colour.
  • Touch and tarnishBrass and copper feel heavy and warm but tarnish bare. Plan lacquer or plating from the start. Brass and copper parts
  • Insulation and dampingPOM, nylon and acrylic for insulators, mats, windows and light pipes. Plastics move with temperature, so loosen tolerances. Acetal and nylon parts

Material lines to put on the drawing

A material note that only says "aluminum" gets three different alloys quoted. These lines make quotes comparable and keep a repeat order looking like the first.

For stainless choices on knobs and feet, see 303 vs 304 stainless. For titanium cost, see titanium audio parts.

  • Alloy and temper6061-T6, not "aluminum". C360 half hard, not "brass".
  • Stock formPlate, bar, extrusion or sheet, because each finishes differently.
  • Mill lotOne lot per order for colour critical parts, and a retained sample.
  • CertificateMill certificate with the order, so the alloy can be traced.
  • SubstitutesWhich equivalents you accept, if any.
  • Market rulesRoHS, REACH or Proposition 65 limits that affect leaded brass and coatings.

Questions about materials

Why do my 6061 faceplate and 6063 chassis sides anodize to different shades?

The alloys contain different amounts of silicon, magnesium and copper, and those elements change how the oxide forms and takes dye. 6063 anodizes clearer and brighter, 6061 slightly greyer, 5052 different again. Bead blasting both parts before anodizing narrows the gap, and an approved sample from the real alloys is the only reliable check.

Is C360 brass a problem for RoHS or Proposition 65?

C360 contains about 3 percent lead. RoHS currently allows lead in copper alloys up to 4 percent under an exemption, and California Proposition 65 can require a warning label for parts a user handles. Check the rules for your market and the date of any exemption renewal. Low lead brasses such as C69300 or CW724R are the usual alternative and cost more to machine.

Which material is best for a turntable platter?

There is no single answer. Aluminum 6061 is light, stiff and easy to balance. Brass and stainless add mass and rotational inertia but cost more to cut and finish. POM and acrylic damp ringing and are often used as a top layer. Specify flatness, runout and balance on the drawing whichever you choose.

Can a shop substitute an equivalent alloy?

Only if you say so. Equivalents such as 6061 and 6082 are close in strength but not in anodize colour, which is the specification on a cosmetic part. Write the alloy and temper on the drawing, accept "or equivalent" only where appearance does not matter and ask for a mill certificate. We match the RFQ with up to 3 shops that stock or can buy your alloy.

Know the alloy? Send the drawing.

We match it with up to 3 shops that machine and finish parts in that material, and reply within 24 business hours. How parts are made: processes. Which part gets what: applications.